Richard Price: Radical Faerie Portraits, 1996–2019
Since 1996, Richard Price has been making portraits with his subjects and fellow faeries, at their summer gatherings at the Blue Heron Farm in Upstate New York.
Since 1996, Richard Price has been making portraits with his subjects and fellow faeries, at their summer gatherings at the Blue Heron Farm in Upstate New York.
For his MFA thesis exhibition with the University at Buffalo, Carlos Llobet Montealegre merges large-format relief prints, collage, and painting into life-size compositions.
Media-as-things is an exhibition and a manifesto about media, memory, and materiality by Mani Mehrvarz and Maryam Muliaee.
Our annual side-by-side exhibition features works by Buffalo Public Schools art teachers and their students and children.
Elaine Chamberlain has been making dioramas for the past ten years, collecting scenes, locations, people, memories real and imagined.
“When you take pictures of these walls, they become page layouts for a mutant publication about the history of graphic design.”
What happens when models of nonhuman ecological systems are used to identify and rethink the dysfunctional systems—“fairy tales”—that are currently troubling our social welfare, economy, and governance?
Chance Operator features the computer-modulated imagery of Iris Kirkwood and Shawn Lewis, offering a meditation on uncertainty, risk, and hope.